<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0"><channel><title><![CDATA[scribespark: Humanities & Film]]></title><description><![CDATA[Philosophy doesn't stay put. It spreads into the films we watch, the arguments we have, and the stories we tell as a culture to explain ourselves. Expect a good deal of film here, which has been a lifelong study of mine, alongside essays on whatever cultural object happens to be carrying real weight for me that week.]]></description><link>https://www.scribespark.com/s/humanities</link><image><url>https://substackcdn.com/image/fetch/$s_!LroU!,w_256,c_limit,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F203602b8-8b34-419a-b381-53835cc9ddd7_1254x1254.png</url><title>scribespark: Humanities &amp; Film</title><link>https://www.scribespark.com/s/humanities</link></image><generator>Substack</generator><lastBuildDate>Tue, 25 Aug 2026 02:54:26 GMT</lastBuildDate><atom:link href="https://www.scribespark.com/feed" rel="self" type="application/rss+xml"/><copyright><![CDATA[Jae Jerkins]]></copyright><language><![CDATA[en]]></language><webMaster><![CDATA[scribespark@substack.com]]></webMaster><itunes:owner><itunes:email><![CDATA[scribespark@substack.com]]></itunes:email><itunes:name><![CDATA[Jae Jerkins]]></itunes:name></itunes:owner><itunes:author><![CDATA[Jae Jerkins]]></itunes:author><googleplay:owner><![CDATA[scribespark@substack.com]]></googleplay:owner><googleplay:email><![CDATA[scribespark@substack.com]]></googleplay:email><googleplay:author><![CDATA[Jae Jerkins]]></googleplay:author><itunes:block><![CDATA[Yes]]></itunes:block><item><title><![CDATA[Humanities II (Modern)]]></title><description><![CDATA[A 15-week course surveying the late history of Western culture.]]></description><link>https://www.scribespark.com/p/humanities-ii</link><guid isPermaLink="false">https://www.scribespark.com/p/humanities-ii</guid><dc:creator><![CDATA[Jae Jerkins]]></dc:creator><pubDate>Fri, 10 Jul 2026 22:43:28 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!Uqcf!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F009a0742-6034-4a20-a7c8-c2ebf0d9a605_1920x1433.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<p></p><h3>MODULE I &#8211; The Rebirth (1454-1603)</h3><h4>Sec 1 &#8226; Defining the Modern</h4><p>1.1 Modus &amp; Modo: The Method &amp; the Way<br>1.2 Optimism &amp; the Promise of Progress<br>1.3 Reason, Secularism, &amp; the Individual<br>1.4 Mapping the Modern: 4 Ages in 15 Weeks</p><p>Read: Jervis, <em>Exploring the Modern</em><br>Art: Duccio's <em>Madonna</em> &amp; D&#252;rer's <em>Self-Portrait<br></em>Listen: Hildegard's chant &amp; Josquin's polyphony</p><h4>Sec 2 &#8226; Renaissance &amp; the Printing Press</h4><p>2.1 Rebirth: The Medici, Humanism, &amp; the Dignity of Man<br>2.2 Genius: Leonardo, Michelangelo, &amp; Raphael<br>2.3 1454: Gutenberg &amp; the First Information Age<br>2.4 Machiavelli: Politics without Heaven</p><p><em><strong>Culture &amp; Values</strong></em><strong> chs. 12&#8211;13</strong><br>Read: Machiavelli, <em>The Prince</em> (sel.)<br>Art: Botticelli, <em>Birth of Venus</em> &amp; Raphael, <em>School of Athens</em><br>Listen: Josquin, <em>Ave Maria&#8230; Virgo serena</em></p><h4>Sec 3 &#8226; Reformation &amp; the New Heavens</h4><p>3.1 Luther &amp; the Fracturing of Christendom<br>3.2 Trent &amp; the Counter-Reformation<br>3.3 1543: Copernicus &amp; the De-Centered Cosmos<br>3.4 Elizabeth &amp; Shakespeare: Halmet&#8217;s Modern Mind</p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 14</strong><br>Read: Luther, Reformation Writings (sel.)<br>Read<sup>2</sup>: Shakespeare, Hamlet (sel.)<br>Art: D&#252;rer's <em>prints</em>; Holbein, <em>The Ambassadors</em><br>Listen: Dowland, &#8220;Come Again&#8221; &amp; Luther, &#8220;Ein feste Burg&#8221;</p><h3><br>MODULE II &#8211; Early Modern Philosophy (1604-1775)</h3><h4>Sec 4 &#8226; Baroque &amp; the New Science</h4><p>4.1 Splendor &amp; Shadow: Bernini, Caravaggio, &amp; Rome<br>4.2 The Dutch Golden Age: Rembrandt, Vermeer, &amp; the Market<br>4.3 1633: Galileo &amp; the New Science on Trial<br>4.4 Newton&#8217;s Clockwork: The Mechanical Cosmos</p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 15</strong><br>Read: Galileo, <em>Starry Messenger</em> (sel.)<br>Art: Caravaggio, <em>The Calling of St. Matthew</em> &amp; Bernini, <em>Ecstasy of St. Teresa</em><br>Art<sup>2</sup>: Rembrandt, <em>The Anatomy Lesson</em> &amp; Vermeer, <em>The Astronomer</em><br>Listen: Bach &amp; Handel</p><h4>Sec 5 &#8226; Leviathan: The State &amp; Social Contract</h4><p>5.1 Hobbes after the Civil War<br>5.2 Locke: Property, Toleration, &amp; the Blank Slate<br>5.3 Versailles: Absolutism as Theatre<br>5.4 Rousseau &amp; the General Will</p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 15 (cont.)</strong><br>Read: Hobbes, <em>Leviathan</em> (sel.), &amp; Locke, <em>Second Treatise</em> (sel.)<br>Art: the <em>Leviathan</em> <em>frontispiece</em> &amp; Rigaud, <em>Louis XIV</em><br>Listen: Lully at the Sun King's court &amp; Purcell</p><h4>Sec 6 &#8226; The Enlightenment &amp; Its Shadows</h4><p>6.1 <em>Sapere Aude</em>: Philosophes, Salons, &amp; the Encyclop&#233;die<br>6.2 <em>Candide</em>: Voltaire Against Optimism<br>6.3 First Nations: The Americas &amp; Enlightenment's Others<br>6.4 The Classical Style: Mozart, Haydn, &amp; the Age of Elegance</p><p><em><strong>Culture &amp; Values</strong></em><strong> chs. 16 &amp; 19</strong><br>Read: Voltaire, <em>Candide</em> (sel.); Kant, "What Is Enlightenment?"; <br>Read<sup>2</sup>: Waters, <em>American Indian Thought</em> (sel.); Stannard, <em>American Holocaust</em> (sel.)<br>Art: Fragonard, <em>The Swing</em>; the Templo Mayor &amp; the codices<br>Listen: Mozart, <em>The Marriage of Figaro</em> (sel.)<br></p><h3>MODULE III &#8211; Nationalism &amp; Industry (1776-1913)</h3><h4>Sec 7 &#8226; The Age of Revolutions</h4><p>7.1 1776: <em>Common Sense</em> &amp; the Rights of Man<br>7.2 1789: Paris, the Terror, &amp; the Marseillaise<br>7.3 Athens on the Potomac: Neoclassicism &amp; the New Republics<br>7.4 Goya &amp; Napoleon: The Birth of Nationalism</p><p><em><strong>Culture &amp; Values</strong></em><strong> chs. 19-20</strong><br>Read: Paine, <em>Common Sense</em> (sel.); Hutchinson &amp; Smith, <em>Nationalism</em> (sel.)<br>Art: David, <em>Oath of the Horatii</em> &amp; <em>Death of Marat</em>; Goya, <em>The Third of May 1808</em><br>Listen: &#8220;La Marseillaise&#8221; &amp; Beethoven, <em>Eroica</em> (and the torn dedication)</p><h4>Sec 8 &#8226; Romanticism &amp; Modern Science</h4><p>8.1 <em>Sturm und Drang</em>: Goethe &amp; the Sorrows of the Self<br>8.2 The Sublime: Friedrich, Turner, &amp; Beethoven<br>8.3 <em>Frankenstein</em>: The Modern Prometheus<br>8.4 Questioning Progress: Romanticism Against the Machine</p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 20</strong><br>Read: Shelley, <em><strong>Frankenstein</strong></em> (novel #1) &amp; Goethe, <em>The Sorrows of Young Werther</em> (sel.)<br>Art: Friedrich, <em>Wanderer Above the Sea of Fog</em> &amp; Turner's storms; Fuseli, <em>The Nightmare</em><br>Listen: Schubert, <em>Erlk&#246;nig</em>; Beethoven&#8217;s No. 5; Berlioz, <em>Symphonie fantastique</em></p><h4>Sec 9 &#8226; Industry &amp; Empire</h4><p>9.1 The Machine Age: Coal, Rail, &amp; the Crystal Palace<br>9.2 <em>Metropolis</em>: Picturing the Industrial City<br>9.3 Europeans Seize the World: Africa &amp; the Colonizer's Model<br>9.4 <em>Uncle Tom's Cabin</em>: Abolition &amp; the Sentimental Weapon</p><p><em><strong>Culture &amp; Values</strong></em><strong> chs. 17-18, 20</strong><br>Read: Mudimbe, <em>The Idea of Africa</em> (sel.) &amp; Stowe, <em>Uncle Tom&#8217;s Cabin</em> (sel.)<br>Read<sup>2</sup>: Dickens, <em>Hard Times</em> (rec.)<br>Art: the Crystal Palace; Turner, <em>The Slave Ship</em>; the camera goes to the colonies<br>Listen: spirituals &#8212; &#8220;Go Down Moses&#8221;<br>Screen (first film): <em>Metropolis</em></p><h4>Sec 10 &#8226; Marx &amp; the Age of Oil</h4><p>10.1 1848: The <em>Manifesto</em> &amp; the Specter of Revolution<br>10.2 Alienation: The Self on the Assembly Line<br>10.3 The Prize: Rockefeller &amp; the Age of Oil<br>10.4 Realism: Courbet, Daumier, &amp; Painting the Poor</p><p><em><strong>Culture &amp; Values</strong></em><strong> chs. 20-21</strong><br>Read: Marx, <em>The Communist Manifesto</em> (sel.); Yergin, <em>The Prize</em> (sel.)<br>Read<sup>2</sup>: Economides, <em>The Color of Oil</em> (sel.); Huxley, <em>Brave New World</em> (sel. &#8212; "Our Ford")<br>Art: Courbet, <em>The Stone Breakers</em> &amp; Daumier, <em>Third-Class Carriage</em>; <br>Art<sup>2</sup>: Millet, <em>The Gleaners</em> &amp; Menzel, <em>The Iron Rolling Mill</em><br>Listen: Joplin's ragtime &#8212; music for a mass age<br>Screen (brief selection): <em>Modern Times</em></p><h4>Sec 11 &#8226; Kierkegaard, Nietzsche, &amp; the Fin de Si&#232;cle</h4><p>11.1 <em>The Present Age</em>: Kierkegaard Against the Crowd<br>11.2 <em>Zarathustra</em>: Nietzsche &amp; the Death of God<br>11.3 The Painted Moment: Impressionism &amp; Its Rebels<br>11.4 The Nervous Age: Darwin, Freud, &amp; Mahler's <em>Hammer</em></p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 21</strong><br>Read: Kierkegaard, <em>The Present Age</em> (sel.); Nietzsche, <em>Thus Spoke Zarathustra</em> (sel.)<br>Art: Monet, <em>Impression, Sunrise</em>; Van Gogh, <em>The Starry Night</em><br>Art<sup>2</sup>: C&#233;zanne &amp; Hokusai &amp; <em>Japonisme</em><br>Listen: Debussy, <em>Pr&#233;lude &#224; l'apr&#232;s-midi d'un faune</em><br>Listen<sup>2</sup>: Mahler, <em>Symphony No. 6 in A Minor</em> (1906) and its hammer blows!</p><h3>MODULE IV &#8211; The End of Modernity (1914-1960s)</h3><h4>Sec 12 &#8226; The World at War</h4><p>12.1 1914: Machine Guns, Mustard Gas, &amp; <em>All Quiet</em><br>12.2 The Modernist Rupture: Dada, Duchamp, &amp; <em>The Rite</em><br>12.3 <em>The Grapes of Wrath</em>: Depression &amp; the New Deal<br>12.4 <em>Night</em>: The Holocaust &amp; the Break in Civilization</p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 22</strong><br>Read: Remarque, <em>All Quiet on the Western Front</em> (sel.) &amp; Wiesel, <em>Night</em> (sel.)<br>Read<sup>2</sup>: Steinbeck, <em>The Grapes of Wrath</em> (sel.) &amp; Freud, <em>Civilization &amp; Its Discontents</em> (sel.)<br>Art: Otto Dix's war prints; Duchamp, <em>Fountain</em>; Dal&#237;; <br>Art<sup>2</sup>: Lange, <em>Migrant Mother</em>; Picasso, <em>Guernica</em><br>Listen: Stravinsky, <em>The Rite of Spring</em>; Shostakovich, <em>Symphony No. 5 in D Minor</em><br>Screen (sel.): <em>All Quiet on the Western Front</em> (1930); <em>Night and Fog</em></p><h4>Sec 13 &#8226; Aftermath: The Bomb &amp; the Absurd</h4><p>13.1 By the Bomb's Early Light: Hiroshima &amp; the Atomic Imagination<br>13.2 Existentialism: Sartre, Beauvoir, &amp; Freedom After Auschwitz<br>13.3 <em>The Stranger</em>: Camus &amp; the Colonial Absurd<br>13.4 New York Steals Modern Art: Pollock, Rothko, &amp; Bebop</p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 23</strong><br>Read: Camus, <em><strong>The Stranger</strong></em> (novel #2) &amp; Boyer, <em>By the Bomb's Early Light</em> (sel.)<br>Read<sup>2</sup>: Sartre, <em>Existentialism Is a Humanism</em> (sel.) &amp; Beauvoir, <em>The Second Sex</em> (sel.)<br>Art: Pollock's drips &amp; Rothko's fields<br>Listen: Parker's bebop; Cage, <em>4&#8242;33&#8243;</em></p><h4>Sec 14 &#8226; The Culture Industry &amp; the Cold War</h4><p>14.1 Manipulation: Adorno &amp; the Culture Industry<br>14.2 <em>One-Dimensional Man</em>: Marcuse, Madison Avenue, &amp; Suburbia<br>14.3 Strange Fruit to Selma: Civil Rights &amp; the Counterculture<br>14.4 <em>Dr. Strangelove</em>: The Binary World</p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 23</strong><br>Read: Adorno &amp; Horkheimer, <em>The Culture Industry</em> (sel.) &amp; Marcuse, <em>1-Dem. Man</em> (sel.)<br>Read<sup>2</sup>: Engelhardt, <em>The End of Victory Culture</em> (sel.) &amp; MLK, <em>Ltr from Birmingham Jail</em><br>Art: Warhol's <em>soup cans</em>, Lichtenstein&#8217;s <em>pop art</em>, &amp; <em>Levittown through the lens</em><br>Listen: Holiday, <em>Strange Fruit</em>, Bob Dylan, &amp; Hendrix's <em>Star-Spangled Banner<br></em>Screen (sel.): <em>Dr. Strangelove</em></p><h4>Sec 15 &#8226; The Postmodern Critique</h4><p>15.1 <em>The Postmodern Condition</em>: Lyotard &amp; the End of Grand Narratives<br>15.2 Simulacra: Baudrillard, Warhol, &amp; Hyperreality<br>15.3 The 21st Century &amp; Its Discontents<br>15.4 Do Androids Dream?: <em>Blade Runner</em>, AI, &amp; the Inhuman</p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 23</strong><br>Read: Lyotard, <em>The Postmodern Condition</em> (sel.) &amp; <em>The Inhuman</em> (sel.)<br>Read<sup>2</sup>: Baudrillard, <em>Sim &amp; Simul.</em> (sel.) &amp; Dick, <em>Do Androids Dream of Electric Sheep?</em> (sel.)<br>Art: Venturi &amp; Gehry &#8212; architecture after modernism<br>Art<sup>2</sup>: Nam June Paik's <em>screens</em> &amp; the machine-made image (2020s)<br>Listen: Glass &amp; Reich's <em>minimalism</em>; Kraftwerk, <em>Computer World</em>; sampling as pastiche<em><br></em>Screen (film #2): <em>Blade Runner</em></p><p></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!Uqcf!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F009a0742-6034-4a20-a7c8-c2ebf0d9a605_1920x1433.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" srcset="https://substackcdn.com/image/fetch/$s_!Uqcf!,w_424,c_limit,f_webp,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2F009a0742-6034-4a20-a7c8-c2ebf0d9a605_1920x1433.jpeg 424w, 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Subscribe for free to receive new posts and support my work.</p></div><form class="subscription-widget-subscribe"><input type="email" class="email-input" name="email" placeholder="Type your email&#8230;" tabindex="-1"><input type="submit" class="button primary" value="Subscribe"><div class="fake-input-wrapper"><div class="fake-input"></div><div class="fake-button"></div></div></form></div></div><p></p>]]></content:encoded></item><item><title><![CDATA[Humanities I & II]]></title><description><![CDATA[Two 15-week college courses on Western culture]]></description><link>https://www.scribespark.com/p/humanities-i</link><guid isPermaLink="false">https://www.scribespark.com/p/humanities-i</guid><dc:creator><![CDATA[Jae Jerkins]]></dc:creator><pubDate>Fri, 10 Jul 2026 21:57:27 GMT</pubDate><enclosure url="https://substackcdn.com/image/fetch/$s_!tXgf!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff21cecaf-83d5-4168-a2ac-a730d2a2ccf4_900x900.jpeg" length="0" type="image/jpeg"/><content:encoded><![CDATA[<h3>ANCIENT HUMANITIES</h3><h4><em>as taught at Tyler Junior College</em></h4><h3>MODULE I &#8211; Early Civilizations</h3><h4>Sec 1 &#8226; In the Beginning</h4><p>1.1 What is Civilization?<br><span>1.2 A Revolution in Food</span><br><span>1.3 The Bronze &amp; Iron Ages</span></p><h4>Sec 2 &#8226; Ancient Mesopotamia</h4><p>2.1 Intro &#8226; Context &#8226; Timeline<br>2.2 Politics &#8226; Religion &#8226; Wisdom<br>2.3 Texts &#8226; Arts &#8226; Contributions</p><h4>Sec 3 &#8226; Ancient Egypt</h4><p>3.1 Intro &#8226; Context &#8226; Timeline<br>3.2 Politics &#8226; Religion &#8226; Wisdom<br>3.3 Texts &#8226; Arts &#8226; Contributions</p><h4>Sec 4 &#8226; Ancient India</h4><p>4.1 Intro &#8226; Context &#8226; Timeline<br>4.2 Politics &#8226; Religion &#8226; Wisdom<br>4.3 Texts &#8226; Arts &#8226; Contributions</p><h4>Sec 5 &#8226; Ancient China</h4><p>5.1 Intro &#8226; Context &#8226; Timeline<br>5.2 Politics &#8226; Religion &#8226; Wisdom<br>5.3 Texts &#8226; Arts &#8226; Contributions<br></p><h3>MODULE II &#8211; The Greco-Roman Traditions</h3><h4>Sec 6 &#8226; Early Greece</h4><p>6.1 Intro &#8226; Context &#8226; Timeline<br>6.2 Politics &#8226; Religion &#8226; Wisdom<br>6.3 Texts &#8226; Arts &#8226; Contributions</p><h4>Sec 7 &#8226; Hellenistic Greece</h4><p>7.1 Intro &#8226; Context &#8226; Timeline<br>7.2 Politics &#8226; Religion &#8226; Wisdom<br>7.3 Texts &#8226; Arts &#8226; Contributions</p><h4>Sec 8 &#8226; The Romans</h4><p>8.1 Intro &#8226; Context &#8226; Timeline<br>8.2 Politics &#8226; Religion &#8226; Wisdom<br>8.3 Texts &#8226; Arts &#8226; Contributions<br></p><h3>MODULE III &#8211; The Abrahamic Traditions</h3><h4>Sec 9 &#8226; Ancient Israel</h4><p>9.1 Intro &#8226; Context &#8226; Timeline<br>9.2 Politics &#8226; Religion &#8226; Wisdom<br>9.3 Texts &#8226; Arts &#8226; Contributions</p><h4>Sec 10 &#8226; Early Christendom</h4><p>10.1 Intro &#8226; Context &#8226; Timeline<br>10.2 Politics &#8226; Religion &#8226; Wisdom<br>10.3 Texts &#8226; Arts &#8226; Contributions</p><h4>Sec 11 &#8226; Early Islam</h4><p>11.1 Intro &#8226; Context &#8226; Timeline<br>11.2 Politics &#8226; Religion &#8226; Wisdom<br>11.3 Texts &#8226; Arts &#8226; Contributions</p><p></p><h3>MODULE IV &#8211; The Rise of Europe</h3><h4>Sec 12 &#8226; The Holy Roman Empire</h4><p>12.1 Intro &#8226; Context &#8226; Timeline<br>12.2 Politics &#8226; Religion &#8226; Wisdom<br>12.3 Texts &#8226; Arts &#8226; Contributions</p><h4>Sec 13 &#8226; The High Middle Ages</h4><p>13.1 Intro &#8226; Context &#8226; Timeline<br>13.2 Politics &#8226; Religion &#8226; Wisdom<br>13.3 Texts &#8226; Arts &#8226; Contributions</p><h4>Sec 14 &#8226; The Late Middle Ages</h4><p>14.1 Intro &#8226; Context &#8226; Timeline<br>14.2 Politics &#8226; Religion &#8226; Wisdom<br>14.3 Texts &#8226; Arts &#8226; Contributions</p><h4>Sec 15 &#8226; The Renaissance</h4><p>15.1 Intro &#8226; Context &#8226; Timeline<br>15.2 Politics &#8226; Religion &#8226; Wisdom<br>15.3 Texts &#8226; Arts &#8226; Contributions</p><p></p><h3>MODERN HUMANITIES</h3><h4><em>as taught at Florida State University</em></h4><h3>MODULE I &#8211; The Rebirth (1454-1603)</h3><h4>Sec 1 &#8226; Defining the Modern</h4><p>1.1 Modus &amp; Modo: The Method &amp; the Way<br>1.2 Optimism &amp; the Promise of Progress<br>1.3 Reason, Secularism, &amp; the Individual<br>1.4 Mapping the Modern: 4 Ages in 15 Weeks</p><p>Read: Jervis, <em>Exploring the Modern</em><br>Art: Duccio&#8217;s <em>Madonna</em> &amp; D&#252;rer&#8217;s <em>Self-Portrait<br></em>Listen: Hildegard&#8217;s chant &amp; Josquin&#8217;s polyphony</p><h4>Sec 2 &#8226; Renaissance &amp; the Printing Press</h4><p>2.1 Rebirth: The Medici, Humanism, &amp; the Dignity of Man<br>2.2 Genius: Leonardo, Michelangelo, &amp; Raphael<br>2.3 1454: Gutenberg &amp; the First Information Age<br>2.4 Machiavelli: Politics without Heaven</p><p><em><strong>Culture &amp; Values</strong></em><strong> chs. 12&#8211;13</strong><br>Read: Machiavelli, <em>The Prince</em> (sel.)<br>Art: Botticelli, <em>Birth of Venus</em> &amp; Raphael, <em>School of Athens</em><br>Listen: Josquin, <em>Ave Maria&#8230; Virgo serena</em></p><h4>Sec 3 &#8226; Reformation &amp; the New Heavens</h4><p>3.1 Luther &amp; the Fracturing of Christendom<br>3.2 Trent &amp; the Counter-Reformation<br>3.3 1543: Copernicus &amp; the De-Centered Cosmos<br>3.4 Elizabeth &amp; Shakespeare: Halmet&#8217;s Modern Mind</p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 14</strong><br>Read: Luther, Reformation Writings (sel.)<br>Read<sup>2</sup>: Shakespeare, Hamlet (sel.)<br>Art: D&#252;rer&#8217;s <em>prints</em>; Holbein, <em>The Ambassadors</em><br>Listen: Dowland, &#8220;Come Again&#8221; &amp; Luther, &#8220;Ein feste Burg&#8221;</p><p></p><h3>MODULE II &#8211; Early Modern Philosophy (1604-1775)</h3><h4>Sec 4 &#8226; Baroque &amp; the New Science</h4><p>4.1 Splendor &amp; Shadow: Bernini, Caravaggio, &amp; Rome<br>4.2 The Dutch Golden Age: Rembrandt, Vermeer, &amp; the Market<br>4.3 1633: Galileo &amp; the New Science on Trial<br>4.4 Newton&#8217;s Clockwork: The Mechanical Cosmos</p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 15</strong><br>Read: Galileo, <em>Starry Messenger</em> (sel.)<br>Art: Caravaggio, <em>The Calling of St. Matthew</em> &amp; Bernini, <em>Ecstasy of St. Teresa</em><br>Art<sup>2</sup>: Rembrandt, <em>The Anatomy Lesson</em> &amp; Vermeer, <em>The Astronomer</em><br>Listen: Bach &amp; Handel</p><h4>Sec 5 &#8226; Leviathan: The State &amp; Social Contract</h4><p>5.1 Hobbes after the Civil War<br>5.2 Locke: Property, Toleration, &amp; the Blank Slate<br>5.3 Versailles: Absolutism as Theatre<br>5.4 Rousseau &amp; the General Will</p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 15 (cont.)</strong><br>Read: Hobbes, <em>Leviathan</em> (sel.), &amp; Locke, <em>Second Treatise</em> (sel.)<br>Art: the <em>Leviathan</em> <em>frontispiece</em> &amp; Rigaud, <em>Louis XIV</em><br>Listen: Lully at the Sun King&#8217;s court &amp; Purcell</p><h4>Sec 6 &#8226; The Enlightenment &amp; Its Shadows</h4><p>6.1 <em>Sapere Aude</em>: Philosophes, Salons, &amp; the Encyclop&#233;die<br>6.2 <em>Candide</em>: Voltaire Against Optimism<br>6.3 First Nations: The Americas &amp; Enlightenment&#8217;s Others<br>6.4 The Classical Style: Mozart, Haydn, &amp; the Age of Elegance</p><p><em><strong>Culture &amp; Values</strong></em><strong> chs. 16 &amp; 19</strong><br>Read: Voltaire, <em>Candide</em> (sel.); Kant, &#8220;What Is Enlightenment?&#8221;; <br>Read<sup>2</sup>: Waters, <em>American Indian Thought</em> (sel.); Stannard, <em>American Holocaust</em> (sel.)<br>Art: Fragonard, <em>The Swing</em>; the Templo Mayor &amp; the codices<br>Listen: Mozart, <em>The Marriage of Figaro</em> (sel.)</p><p></p><h3>MODULE III &#8211; Nationalism &amp; Industry (1776-1913)</h3><h4>Sec 7 &#8226; The Age of Revolutions</h4><p>7.1 1776: <em>Common Sense</em> &amp; the Rights of Man<br>7.2 1789: Paris, the Terror, &amp; the Marseillaise<br>7.3 Athens on the Potomac: Neoclassicism &amp; the New Republics<br>7.4 Goya &amp; Napoleon: The Birth of Nationalism</p><p><em><strong>Culture &amp; Values</strong></em><strong> chs. 19-20</strong><br>Read: Paine, <em>Common Sense</em> (sel.); Hutchinson &amp; Smith, <em>Nationalism</em> (sel.)<br>Art: David, <em>Oath of the Horatii</em> &amp; <em>Death of Marat</em>; Goya, <em>The Third of May 1808</em><br>Listen: &#8220;La Marseillaise&#8221; &amp; Beethoven, <em>Eroica</em> (and the torn dedication)</p><h4>Sec 8 &#8226; Romanticism &amp; Modern Science</h4><p>8.1 <em>Sturm und Drang</em>: Goethe &amp; the Sorrows of the Self<br>8.2 The Sublime: Friedrich, Turner, &amp; Beethoven<br>8.3 <em>Frankenstein</em>: The Modern Prometheus<br>8.4 Questioning Progress: Romanticism Against the Machine</p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 20</strong><br>Read: Shelley, <em><strong>Frankenstein</strong></em> (novel #1) &amp; Goethe, <em>The Sorrows of Young Werther</em> (sel.)<br>Art: Friedrich, <em>Wanderer Above the Sea of Fog</em> &amp; Turner&#8217;s storms; Fuseli, <em>The Nightmare</em><br>Listen: Schubert, <em>Erlk&#246;nig</em>; Beethoven&#8217;s No. 5; Berlioz, <em>Symphonie fantastique</em></p><h4>Sec 9 &#8226; Industry &amp; Empire</h4><p>9.1 The Machine Age: Coal, Rail, &amp; the Crystal Palace<br>9.2 <em>Metropolis</em>: Picturing the Industrial City<br>9.3 Europeans Seize the World: Africa &amp; the Colonizer&#8217;s Model<br>9.4 <em>Uncle Tom&#8217;s Cabin</em>: Abolition &amp; the Sentimental Weapon</p><p><em><strong>Culture &amp; Values</strong></em><strong> chs. 17-18, 20</strong><br>Read: Mudimbe, <em>The Idea of Africa</em> (sel.) &amp; Stowe, <em>Uncle Tom&#8217;s Cabin</em> (sel.)<br>Read<sup>2</sup>: Dickens, <em>Hard Times</em> (rec.)<br>Art: the Crystal Palace; Turner, <em>The Slave Ship</em>; the camera goes to the colonies<br>Listen: spirituals &#8212; &#8220;Go Down Moses&#8221;<br>Screen (first film): <em>Metropolis</em></p><h4>Sec 10 &#8226; Marx &amp; the Age of Oil</h4><p>10.1 1848: The <em>Manifesto</em> &amp; the Specter of Revolution<br>10.2 Alienation: The Self on the Assembly Line<br>10.3 The Prize: Rockefeller &amp; the Age of Oil<br>10.4 Realism: Courbet, Daumier, &amp; Painting the Poor</p><p><em><strong>Culture &amp; Values</strong></em><strong> chs. 20-21</strong><br>Read: Marx, <em>The Communist Manifesto</em> (sel.); Yergin, <em>The Prize</em> (sel.)<br>Read<sup>2</sup>: Economides, <em>The Color of Oil</em> (sel.); Huxley, <em>Brave New World</em> (sel. &#8212; &#8220;Our Ford&#8221;)<br>Art: Courbet, <em>The Stone Breakers</em> &amp; Daumier, <em>Third-Class Carriage</em>; <br>Art<sup>2</sup>: Millet, <em>The Gleaners</em> &amp; Menzel, <em>The Iron Rolling Mill</em><br>Listen: Joplin&#8217;s ragtime &#8212; music for a mass age<br>Screen (brief selection): <em>Modern Times</em></p><h4>Sec 11 &#8226; Kierkegaard, Nietzsche, &amp; the Fin de Si&#232;cle</h4><p>11.1 <em>The Present Age</em>: Kierkegaard Against the Crowd<br>11.2 <em>Zarathustra</em>: Nietzsche &amp; the Death of God<br>11.3 The Painted Moment: Impressionism &amp; Its Rebels<br>11.4 The Nervous Age: Darwin, Freud, &amp; Mahler&#8217;s <em>Hammer</em></p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 21</strong><br>Read: Kierkegaard, <em>The Present Age</em> (sel.); Nietzsche, <em>Thus Spoke Zarathustra</em> (sel.)<br>Art: Monet, <em>Impression, Sunrise</em>; Van Gogh, <em>The Starry Night</em><br>Art<sup>2</sup>: C&#233;zanne &amp; Hokusai &amp; <em>Japonisme</em><br>Listen: Debussy, <em>Pr&#233;lude &#224; l&#8217;apr&#232;s-midi d&#8217;un faune</em><br>Listen<sup>2</sup>: Mahler, <em>Symphony No. 6 in A Minor</em> (1906) and its hammer blows!</p><p></p><h3>MODULE IV &#8211; The End of Modernity (1914-1960s)</h3><h4>Sec 12 &#8226; The World at War</h4><p>12.1 1914: Machine Guns, Mustard Gas, &amp; <em>All Quiet</em><br>12.2 The Modernist Rupture: Dada, Duchamp, &amp; <em>The Rite</em><br>12.3 <em>The Grapes of Wrath</em>: Depression &amp; the New Deal<br>12.4 <em>Night</em>: The Holocaust &amp; the Break in Civilization</p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 22</strong><br>Read: Remarque, <em>All Quiet on the Western Front</em> (sel.) &amp; Wiesel, <em>Night</em> (sel.)<br>Read<sup>2</sup>: Steinbeck, <em>The Grapes of Wrath</em> (sel.) &amp; Freud, <em>Civilization &amp; Its Discontents</em> (sel.)<br>Art: Otto Dix&#8217;s war prints; Duchamp, <em>Fountain</em>; Dal&#237;; <br>Art<sup>2</sup>: Lange, <em>Migrant Mother</em>; Picasso, <em>Guernica</em><br>Listen: Stravinsky, <em>The Rite of Spring</em>; Shostakovich, <em>Symphony No. 5 in D Minor</em><br>Screen (sel.): <em>All Quiet on the Western Front</em> (1930); <em>Night and Fog</em></p><h4>Sec 13 &#8226; Aftermath: The Bomb &amp; the Absurd</h4><p>13.1 By the Bomb&#8217;s Early Light: Hiroshima &amp; the Atomic Imagination<br>13.2 Existentialism: Sartre, Beauvoir, &amp; Freedom After Auschwitz<br>13.3 <em>The Stranger</em>: Camus &amp; the Colonial Absurd<br>13.4 New York Steals Modern Art: Pollock, Rothko, &amp; Bebop</p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 23</strong><br>Read: Camus, <em><strong>The Stranger</strong></em> (novel #2) &amp; Boyer, <em>By the Bomb&#8217;s Early Light</em> (sel.)<br>Read<sup>2</sup>: Sartre, <em>Existentialism Is a Humanism</em> (sel.) &amp; Beauvoir, <em>The Second Sex</em> (sel.)<br>Art: Pollock&#8217;s drips &amp; Rothko&#8217;s fields<br>Listen: Parker&#8217;s bebop; Cage, <em>4&#8242;33&#8243;</em></p><h4>Sec 14 &#8226; The Culture Industry &amp; the Cold War</h4><p>14.1 Manipulation: Adorno &amp; the Culture Industry<br>14.2 <em>One-Dimensional Man</em>: Marcuse, Madison Avenue, &amp; Suburbia<br>14.3 Strange Fruit to Selma: Civil Rights &amp; the Counterculture<br>14.4 <em>Dr. Strangelove</em>: The Binary World</p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 23</strong><br>Read: Adorno &amp; Horkheimer, <em>The Culture Industry</em> (sel.) &amp; Marcuse, <em>1-Dem. Man</em> (sel.)<br>Read<sup>2</sup>: Engelhardt, <em>The End of Victory Culture</em> (sel.) &amp; MLK, <em>Ltr from Birmingham Jail</em><br>Art: Warhol&#8217;s <em>soup cans</em>, Lichtenstein&#8217;s <em>pop art</em>, &amp; <em>Levittown through the lens</em><br>Listen: Holiday, <em>Strange Fruit</em>, Bob Dylan, &amp; Hendrix&#8217;s <em>Star-Spangled Banner<br></em>Screen (sel.): <em>Dr. Strangelove</em></p><h4>Sec 15 &#8226; The Postmodern Critique</h4><p>15.1 <em>The Postmodern Condition</em>: Lyotard &amp; the End of Grand Narratives<br>15.2 Simulacra: Baudrillard, Warhol, &amp; Hyperreality<br>15.3 The 21st Century &amp; Its Discontents<br>15.4 Do Androids Dream?: <em>Blade Runner</em>, AI, &amp; the Inhuman</p><p><em><strong>Culture &amp; Values</strong></em><strong> ch. 23</strong><br>Read: Lyotard, <em>The Postmodern Condition</em> (sel.) &amp; <em>The Inhuman</em> (sel.)<br>Read<sup>2</sup>: Baudrillard, <em>Sim &amp; Simul.</em> (sel.) &amp; Dick, <em>Do Androids Dream of Electric Sheep?</em> (sel.)<br>Art: Venturi &amp; Gehry &#8212; architecture after modernism<br>Art<sup>2</sup>: Nam June Paik&#8217;s <em>screens</em> &amp; the machine-made image (2020s)<br>Listen: Glass &amp; Reich&#8217;s <em>minimalism</em>; Kraftwerk, <em>Computer World</em>; sampling as pastiche<em><br></em>Screen (film #2): <em>Blade Runner</em></p><p></p><div class="captioned-image-container"><figure><a class="image-link image2 is-viewable-img" target="_blank" href="https://substackcdn.com/image/fetch/$s_!tXgf!,f_auto,q_auto:good,fl_progressive:steep/https%3A%2F%2Fsubstack-post-media.s3.amazonaws.com%2Fpublic%2Fimages%2Ff21cecaf-83d5-4168-a2ac-a730d2a2ccf4_900x900.jpeg" data-component-name="Image2ToDOM"><div class="image2-inset"><picture><source type="image/webp" 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